Nassim Azarzar (1989) is an artist who explores the semantics of shapes—how forms convey meaning—with a particular emphasis on diasporic experiences and vernacular aesthetics. His seminal research into the decorative practices of trucks transporting goods across Moroccan cities—vehicles whose layered ornamentation emerges from perpetual mobility—echoes his own sense of in-betweenness as someone born in France to Moroccan parents. This investigation became the basis of his emerging visual language, which spans painting, sculpture, graphic design, experimental cinema, poetry, and sound, embracing fluidity and challenging fixed notions of belonging.