Bengebara's work revolves around the square, a recurring element that serves as a reference point and a basic unit for constructing space. It's a form imbued with meaning, representing the ambitious attempt at perfection. Initially, he created his first installations as a refuge for contemporary society, a critical resistance integrated into the landscape. This approach questions the relationship between space and narrative, as a foundational tool for the
societies of tomorrow.
In 2020, he introduced the mirror into his work, seeking to create readable constants that reflect and position us within the artwork. His aim is to remind us of our role and commitment to our collective future. His work aims to develop a simple conceptual axis: "Life is a succession of days and nights." He explores dualistic relationships that define us through a variety of formats and media, aiming to touch the depths of each individual's space.